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Showing posts with label representation. Show all posts
Showing posts with label representation. Show all posts

Size Does Matter, or Not

An interesting article in Planetizen called "Beloved and Abandoned: A Platting Named Portland" investigates one of the unique, frustrating and beloved quirks of Portland. This is, our slicework of 200 foot square blocks... making for a lot of roads, and development of tiny blocks. It's our burden to bear. The article is a fascinating ride - so check it out.


:: all images via Planetizen

The authors discuss the 'Hippodamian' grid, which is an interesting way of saying square, and relate it to current urban design theory and practice. "Current planning literature brims with references to "the grid" in juxtaposition with curvilinear and dendrite conventional suburban layouts. The "grid" as a network concept has been widely accepted and is now regarded as a superior geometry for laying out greenfield and infill sites."



There is also the reference to the success of Portland directly related to these small blocks, which I'd disagree with (as the authors soon do). I'd say Portland succeeds in spite of this phenomenon, and the issues pervade - as is shown with a reference to successful urban grids, mostly those of the non-square ilk. "Urbanists and romanticists have expressed equally strong sentiments about Paris, London, Barcelona, Curitiba, Amsterdam and Venice. Of the six, only Barcelona adopted the Hippodamian grid in 1859 for its vast expansion, and Venice, without a classic grid, is the preeminent pedestrian haven, yet neither city matches the urbanist’s praise for Portland. Whatever the mix of reasons, Portland dominates the American planners' imagination feelings and talk. Disentangling this intangible realm can be an elusive goal; grounds and figures on the other hand may produce tangible results."

A grid alone is not the recipe for success, and in practice there are few pure iterations of the grid, with zigs, zags, curvy spots, the axial geometry of Ladds addition, and many other quirks. As a fan of the grid for wayfinding and layout, there's something to be said for the rigorous adherance to the formality, which much theory has been laid out in curvy, suburban blah. Some support of the grid: "The degree of connectivity of the street network could count as another practical reason. 'Network', by definition, is a set of linked components, whether a spider-net, a fishnet, or the Internet - all networks connect. What distinguishes them is the manner, geometry and frequency of connection: leaf, tree, blood vessels, telephone and web networks are dendrite, hierarchical (fractal) but fishnets are not. Portland’s is a dense fishnet with nodes at every 200 feet, which produce 360 intersections per square mile -- the highest ratio in America, and 3 to 5 times higher than current developments. For example, older and newer areas in Toronto, typical of most cities, range from 72 to 119 intersections per square mile in suburbs and 163 to 190 in older areas with a grid. As connectivity rose in importance as a planning principle, Portland’s grid emerges as a supreme example.

Coupled with connectivity, its rectilinear geometry is indisputably more advantageous for navigation on foot, car or bike than any alternatives. Visitors often feel lost and disoriented in medieval towns and in contemporary suburbs and this feeling leads to anxiety and even fear and a sense that all is not well."



The grid is rightly stated as derived by speculators for maximum corner lots - not in the grand plan of some more model communities. The fact is, again, that the grid can improve or degrade the urban environment, as the authors mention, but success is not inherently depending on that as the only criteria. "Evidently, Portland’s founders either understood little about infrastructure costs or judged them irrelevant; a judgment that no planner, developer or municipality today would take at face value. When economic efficiency matters, Portland’s grid fails the grade."

In a theoretical sense only. There's comments from Sitte and Duany on the lack of art in the grid... but really is urban planning about art? Is curvy and artistic more successful in an urban context? I doubt it. Anyway, the fact that our grid, much like the national grid system, is overlaid on a extant topography in somewhat irresponsible ways have led to issues with erasure and negative impact on natural hydrologic patterns, which only bend when topography and streams are too steep or significant to pipe, grade, and cover over. Also, the sheer amount of street paving is significant, as our small blocks lead to significantly more stormwater impacts. This however, has been the genesis for innovative strategies such as green streets to combat this - sort of making a silk purse out of a bad grid.



While it may be easy to ignore progress in combating our bad grid, it's again a pointless thought exercise (these adaptions in the following paragraph are the lifeblood of modern urbanism, as we can't recreate what has already been created). Thus, it's interesting to think of ways of refuting the present by showing how the past is flawed:
"The ordinary impression on the ground that the Portland grid 'works' in contemporary traffic conditions is casually taken as a sign of suitability. This view obscures an entire century of engineered physical, mechanical and management adaptations which are overlaid on the 1866 platting. Remove these (in a thought experiment) and imagine the outcome. Clearly, an ill-suited geometry is made to work with interventions such as dividing lines, medians, traffic signs, traffic lights, directional signs, bollards, street widening, one-ways, traffic circles or roundabouts and many others."

I think that's called adapting to change, but then again, it's a thought experiment, so fun nonetheless. As the authors conclude:
"For reasons of land efficiency, infrastructure cost, municipal expenses, rainwater management, traffic safety and flow, and the demand for increased pedestrian share of public space, the praised, pure Portland platting will likely not find new followers. Portland will remain a adored and beloved by urbanists, but her Hippodamian grid layout seems destined for the archives, abandoned as a good idea of a byegone era. This transcendence leaves urbanists, who seek to regenerate a contemporary urban pattern that is as pure, complete and systematic, looking for alternatives: ones which excite the same first blush of adoration and delight and lead to a deep abiding love, but also hold up to intense scrutiny of their economic, social and environmental performance."

I agree with the main tenets of their thesis (and it's a great notion and read) and frankly think the grid is a pain in the ass, but it's one of those theoretical arguments that really doesn't mean much in terms of modern urbanism, particularly in a city that plans things to death and beyond. Few if any new cities are built from scratch with no existing contextual framework - so maybe in the few new communities, a particular utopian grid system can be applied - probably modeled after the latest New Urbanist theory. It'd be interesting to imagine a re-thinking of the 'Hippodamian' grid being retrofit, as is, into something else in Portland - elongated, filled in, abstracted into a more pure and reasonable pattern, with streets removed to be open spaces, bikeways, and other green infrastructural systems. But the question is moot, a thought experiment if you will, and like it or not we are stuck with our pattern.

We deal with it, we plan around it. We love its street/building staccato chatter back and forth, with our 360 intersections per square mile, and we curse the stop sign hovering on your bike every 200 feet, waiting for that car to come zipping by take you out. It makes life exciting. But, in general it doesn't mean much, and isn't as derogatory to a high quality public realm as implied. Portland isn't to be copied for urban form, and really shouldn't be degraded for a grid system that was done without regard. We're known for for innovation and foresight in policy, transportation, stormwater management, and other factors. Many of these come from the very problems that arise from our back-assward small grids. But it works, because sometimes a grid is just a grid.

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Reading List: Beyond No. 1

Perfect airplane fare, on a recent trip I had an opportunity to borrow Beyond No. 1, entitled Scenarios and Speculations, featuring a range of short stores on the 'post-contemporary', edited by Pedro Gadanho. An interesting idea, the slim volume takes a different tack: "...dedicated to new, experimental forms of architectural and urban writing, a bookazine in which, amidst other goodies, an extended network of young and upcoming writers are given the freedom to survey the outline of themes and things to come."


:: image via boiteaoutils

The inaugural volume includes a range of work from authors both known and new, opening up a new wave of potential future reading. Some highlights from my reading were from included 'The Last Market' by Antonio Scarpini, (p. 50) Scenarios and Speculations' by Lara Schrijver (p.12), and an inventive graphic novel by Wes Jones on 'Re:Doing Dubai' (p.88) all offering some specific commentary on our current contemporary life.

Also notable is the humorous short story by Gilles Delalex entitled 'Ventolin, Inc.: A Diary of a Voluntary Prisoner of the Motorway' (p. 36) offering a meditation on a life on the road from a mobile photo diarist/social narrator that spends days on the road and eventually is enveloped into the movement, unable to reconnect with the non-mobile counterpart of dead suburban normalcy.

He heads for home, then is overtaken: "As he approaches the last ramp leading to the familiar suburban streets of home, a cold wave of doubt sweeps him over. Exalted by the sensual freedom of the flow, Maitland wonders about the static nature of his home town and the ostensibly stable and local meaning of his old suburban life. He slows down as if to enjoy a littler longer the addicting feeling of his new nomadic life. Will I ever be able to return to my old suburban streets? Or is my real community here on the motorway? Maitland misses the exit deliberately. He knows that the motorway has become his new home, and he may never come back." (p. 41)


This suburban escape is appropriate as well to my favorite essay, from Bruce Sterling, in a story entitled 'White Fungus' which extrapolates on the life of a fictional architect and his work in the anywhere locale, which is the title of the story: "...the edge city. Semi-regulated, semi-prosperous, automobilized expanses of commercial European real-estate. Mostly white brick, hence the name. White Fungus had paved the region, which city planners were bored, or distracted, or bought off." (p. 19)

The story focuses on place as a major character, showing off the non-place that exists in the non-architectural, and looking at the social constructs that exist (or lack) in what is left over. There is also the hope, through the work of a series of builders that addressed a 'new vernacular' that used ephemeral materials and styles - hovel-like parasitic buildings that were dangerous but at least real.

Another aspect is the reinhabitation of junkspace: "Traffic islands. Empty elevator shafts. Gaps within walls, gaps between administrative zones and private properties. Debris-strewn alleys. Rafterspace. Emergency stairs for demolished buildings. Nameless spaces, unseen, unserviced and unlit. They were just - junked spaces, the voids, the absences in the urban fabric." (p.26)

Essentially a meditation on a new architecture - it seems apt giving the economy and the need to reinvent the role and relevance of the designer in this brave new world. As stated by the narrator: "Our architecture did not 'work.' We ourselves were no longer 'working' as that enterprise was formerly understood. We were living, and living rather well, once we found to nerve to proclaim that. To manifest our life in our own space and time." (p.27)

The fiction of Sterling is apt, along with the similar pomo sci-fi of William Gibson and Neal Stephenson (prior to going all historical on us) - of envisioning not a fantasy world, but something maybe happening next year, but giving it a reality that we can grasp and possibly imagine. What is that if not architecture, creating utopian visions of a new, possible, world that reacts to time, capitalism, and culture and reflects it back on us - both good and bad.

The summarizing quote is from Aaron Betsky, in his essay 'The Alpha and the Omega' which shows the power of both the media and the message: "Architecture is a fiction... Some of the most powerful pieces of architecture do not existing in buildings. We inhabit them through stories, whether they are myths, fiction or poetry. Fictional architecture moves us beyond buildings, in time and space, as well as in possibilities non-built buildings can offer. It shows us a wider range of possibilities and evokes spaces impossible (for now) to inhabit."

And Beyond No. 2, focusing on Values and Symptoms, is soon going to be out, and worth checking giving a look with essays from Douglas Coupland amongst others. This is the kind of reading that gives you a bit of a break from heady volumes - but still provides a way of engaging urban thought in new ways.

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McDs as Density Indicator

It's interesting to make connections between mapping and healthy communities. In this case it's not just health in terms of people (such as this correlation between parks and obesity) - but factoring in local business, access to fresh/healthy food, and even the idea of non-drive through oriented business. The always fantastic Strange Maps offers a slice of this view, using a map of 'The McFarthest Place' in the contiguous United States. This map case a look at geographical distribution of McDonalds of which there are 13,000 or so in the US.


:: image via Strange Maps

From Strange Maps: "This map is the brainchild of Stephen Von Worley, who got to thinking about the strip malls sprawling out along I-5 in California’s ever less rural Central Valley: “Just how far can you get from generic convenience? And how would you figure that out?” His yardstick for that thought experiment would be the ubiquitous Golden Arches of McDonald’s – still the world’s largest hamburger chain, and to cite Von Worley, the “inaugural megacorporate colonizer of small towns nationwide.” That’s not the whole story: like other convenience providers aimed at the motorised consumer such as gas stations and motels, McDonald’ses have a notable tendency to occur on highways and, specifically, to cluster at their crossroads."

Having grown up in North Dakota, where a 3-4 hour one-way drive isn't uncommon for a quick 'day trip' it's not a surprise that this McFarthest Place comes from that general vicinity of the upper Great Plains - in this case South Dakota amidst the badlands. The exact coordinates are on the post (N 45.45955 W 101.91356) leaving a 145 mile drive to McDonalds (which probably sounds pretty good if stranded in the desolation of the Badlands for a week or so). I've roughly shown this on the map below - and it's also interesting to see how it is equidistant the parallel freeways.


:: image via Google Earth (additional info added by L+U)

The lack of people, coupled with large land area, leads to a specific indication of the density of the US - obviously as the marketing muscle of McDonalds to interject themselves in close proximity to population centers. A quick glance at the map will obviously lead you to some of the less dense areas of the country: More: "This map moreover demonstrates that the spread of McD’s closely mirrors the population density of the Lower 48, the most notable overall feature of which is the sudden transition, along the Mississippi, of a relatively densely populated eastern half to a markedly less populated western half of the country. Some notable ‘dark spots’ in McDensity east of the Mississippi are the interior of Maine, the Adirondack region of New York state, a large part of West Virginia, and the Everglades area of southern Florida."

It may be the best bet if you want to get away from it all - to get as far away from the McDonalds. I actually remember seeing something like this for Wal-Mart as well - which probably has a totally different set of socio-economic markers on location.

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Reinventing Cities Winners

The finalists for the Reinventing Cities competition have been announced. This open ideas competition was aimed at reinvisioning 'new urban infrastructures'. It's hard to tell too much about the entries themselves w/o any appreciable explanatory text to accompany them, but some views of the graphics. I hope we can get more detail about the entries and winners to see what is behind the graphics.

1: take smoke, makes water - 100m2




2: dynamic transformation in border condition - pyo arquitectos



3: living the outsite - rita topa



4: performative landscapes - david newton




5: infrastructural armature - fletcher studio



In related news, the entry by myself and Brett Milligan '(re)volutionary infrastructures: urban ecotones' (entry #2804) was one of the 9 additional selected projects that were included but didn't officially place. As there were over 200 entries, it's a great honor to be included in this group. Look for some more info as these get collected in publications... for instance an upcoming issue of future architecture magazine. More soon.

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Large Parks

In the spirit of one of the finest collections of writing on parks (and landscape urbanism) 'Large Parks' (edited by Czerniak & Hargreaves) a recent post on The Infrastructurist catalogs 10 of the world's greatest large parks. "We thought it would be fun to take ten of the world’s largest, most famous, and most beautiful city parks–some combination of those virtues, anyway–and view them from above, all at the same scale, to get a sense of how they’re situated in the fabric of their respective cities and how they work as a whole." Not sure what the reference of what makes them 'great', not it's completeness - and they admittedly have a Western influence but the idea of parks that are reconciled to a similar scale is pretty cool. Very similar to the graphic in the Large Parks book comparing them in B/W figure ground.

A few of the examples:


:: Central Park (NYC) - image via The Infrastructurist



:: The Tiergarten (Berlin) - image via The Infrastructurist


:: Hyde Park (London) - image via The Infrastructurist

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3 Dutch Megacities Map

Another fantastic post from Strange Maps, this time featuring the excerpt from Rem Koolhaas' fabulous door-stop like book 'S/M/L/XL'. In this case, "...a rumination on “Manhattanism” – i.e. the tendency of city centre densities to be taken to new heights, sometimes literally, in the form of an urban grid filled with skyscrapers. These three maps demonstrate the scope of super-concentrated urbanity by applying two distinct types of density to a population-versus-surface configuration reputed to be “full”."






:: image via Strange Maps

It reminds me that when we think of density, we really have not a clue - and if we start looking at this mapped, or merely looking at the gross numbers, we see there's a lot behind the idea of density - or at least more than meets the eye.

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Off Grid 2.0: Healing the Damaged Edge

The ideas competition Off Grid 2.0, sponsored by the California Architecture Foundation, recently announced a slate of winning entries under the theme 'Healing the Damaged Edge'. Definitely take some time to get into the full size PDFs as these thumbnails don't give one the full picture, and there aren't any project statements. A range of graphic styles and interesting ideas that fit into the concept of what the 'edge' is and can become.



Some background via the competition site: "The 24-hour life of the urban fabric of our communities is affecting not only the natural environment, but human health and wellbeing. As the human "footprint" continues to expand, issues surrounding sustainability rise to the forefront. The design and construction industry’s efforts to improve building performance are slowly being adopted…but now is the time to develop unique solutions to respond to these global problems. ... The competition involves finding sustainable solutions for urban infill projects with a zero carbon footprint. These solutions do not necessarily require a built solution – concepts could include providing innovative community development strategies, development of sustainable public policies, infill development concepts, natural resource conservation, multicultural issues, or creation of new materials or systems."

Professional Honor Award + Top Award Winner
by Phoebe Schenker, Emily Bello, Janika McFeely, EHDD Architecture



Professional Merit Award:
Yevgeniy Ossipov, Anderson Anderson Architecture





Special Jury Commendation:
Andrew Dunbar, Zoee Astrachan, Arjun Bhat, Jon Ganey, James Munden, Darren Perry, Amy Wolff - Interstice Architects





Student Honor Award:
Garrett Van Leeuwen, Cal Poly Pomona





Student Merit Award:

Katinka Suedkamp and Laura Duhachek, NewSchool of Art and Architecture



Thanks to Darren Perry at Interstice Architects for the heads up on this one.

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More Fake Trees

And They're Pretty Handy if we are Attacked by Giant Interstellar Swarms of Flies:


:: image via Inhabitat

Via Inhabitat: "A report published last Thursday from the Institution of Mechanical Engineers (IME) suggested that a forest of 100,000 artificial “trees” could be “planted” near depleted oil and gas reserves to trap carbon in a filter and bury it underground. The carbon suckers look more like fly swatters than actual arbors, but researchers say that once fully developed, the “trees” could remove thousands of times
more carbon than a real tree."

Oddly enough, these even make our typical interstate highways look better. Then again flyswatters, although removing lots of carbon, don't have the multiple benefits of real vegetation.


:: image via Inhabitat

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Digital Exhaustion

It's seems a little time off makes one introspective, or at the very least a bit nostalgic. Did you ever feel that impossible to scratch, lingering itch in the back of your mind? You know, the one that you can't subsume, but says we've devolved from a culture that celebrates the built beauty and artistry of real work instead of the purely hollow digital promise of things never to be realized (probably for good reason). Recent competitions made me pause in my continual striving for the 'new' and the 'innovative' (perhaps to my detriment) - surmising that the results were somewhat disappointing, wildly unimpressive, or at least detached from a reality in way that is somewhat pointless.

While the Bering Strait competition is somewhat pointless but still cool, and the Rising Tides competition is somewhat cool and still pointless. This doesn't mean these were not necessary, but
they at least had some modicum of timeline and program to make them worthwhile in attacking some viable social or global issue. It seems we've entered an age of the neo-competition - that which is more concerned with quick turnaround than substance - actually voiding the root concept of what a competition is built for - meditation on ideas and expansion of the graphic normative processes. We've entered a world of the mundane and the ephemeral that is short on time and equally short of program - which leads to a set of winners that leaves one unimpressed by the results an even questioning why the competition was initiated in the first place. (see 21st Century Streets competition for a recent example).

Reburbia is another great case study in the neo-mundane. By it's very structure, it's an ephemeral collage of ideas... with a short timeline and an open-ended program that is sure to develop ideas that are both shotgun and shot from the hip. I really like the ideas generated (well at least some of them), but they are all just snapshots. And, well, the results were pretty indicative of this web-oriented vs. design oriented paradigm. Apologies to the very successful bloggers and designers who represented the jury - but it's gotta be a tough job to judge this open-ended mileu and decipher something wonderful to present to the design world.

This isn't to demean the 'winners' of these competitions, as this seems to be the new trend - and we should evolve to think of this soundbite sort of project as probably something along the new norm. Six months between initiation and award is something that we no longer have the luxury of . Something that can be swirled around for a solid week prior to the photo-shopping, ready to wow the internet world with the latest idea - oooh, urban ecology, urban agriculture, urban ________. yawn. It's the same kind of cultural change that spawns the excitement of pointless bloggery books, the endless twittering and incessant tumblr-ing that substitutes quantity for content, the new for the real, and exposure for meaning.

At least I'm excited by the WPA 2.0 finalists... something to sink your teeth into at least. More on these later - and continuing into the next phase... ah sweet relief.

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